Karina Solomina

It's blobby, bouncy, and super whimsical. It's my Spring Herbs font!

I had a ton of fun with this font. With varying stroke weights, heights, and sizes, plus FOUR options for every letter, you can create a fun design with hand-lettered flair!

Spring Herbs contains over 600 total glyphs, including more than 300 extended Latin characters for language support, over 30 ligatures, and alternates for A-Z, a-z, and 0-9! It's extensively cleaned to be smooth and sharp for both cutting and printing.

To make things even easier for my MyFonts friends, the alternates are all PUA-encoded for easy access in any program, and are also OpenType coded as Stylistic Alternates, if that's how your software rolls!

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats.

For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Leronda is an awesome font that can look austere and classic or vintage and softer and more pliable thanks to alternatives. They will add charisma, diversity to your project and emphasize your brave decision. 

Also lowercase ligatures are included in this font, use them and it will also show your personality. This font is quite heavy weight and is perfect for creating logos, headlines, advertising, branding, book covers and magazines, and much more. Use it in headings and text to highlight important information.

This font is easy to use and has OpenType features.

Senja Mentari is elegant modern calligraphy font inspired by delicate inky hand lettering, gorgeous wedding calligraphy and trending minimal branding designs.

This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding.

I have wanted to create such combination a long time and can’t believe that it is here. I’m super excited and hope you’ll estimate it too. Now all you need for perfect wedding invitation design is in one product. I think this decision will help you to save your time!

What's included?

• More than 100 beautiful swashes in this font
• Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.
• PUA Encoded Characters - Fully accessible without additional design software.

Multilingual Support :

à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç

At Tupats is inspired by the name of a common food from Indonesia during Eid: ketupatfood. This font is in the Arabic style but for writing latin characters and words.

The ligatures, stylistic sets, and contextual features of this font will make your writing similar to Arabic calligraphy.

It is very suitable for writing in a Middle Eastern style and for use in restaurants, magazines, souvenirs, web, and many Ramadhan-themed projects.

Originally created in 2014 but redesigned and improved in 2020, Remah Pro is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah Pro is certainly the best choice: the wavy shapes that defines it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

Mallorist is a handwritten font with a modern calligraphy style. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logotypes, letters, posters, apparel designs, labels, and etc. Mallorist comes with uppercase, lowercase, numerals, punctuation & multilingual support characters.

A professional quality grotesque from light to black.

— Variable Font —

Eurotypo SII is a sibling of our Eurotypo Sans family and is composed of two Expanded weights and six Condensed styles.

Each font of Eurotypo SII contain 359 glyphs and advanced typographical support with OpenType features such as ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages.

All aspect of readability and accurate kerning were carefully controlled.

Eksperiment is danish for experiment. Without much guessing or knowledge to danish, you probably already knew that! I like those danish words containing a "k" - is it because my name is spelled with a "k"? I don't know - maybe it's because it kind of represents the danish language, which is full of words with "k"s.

Anyway, the reason for the name is that I wanted a font looking like it had gone through tough times, a bad copy machine and perhaps even crumpled paper...but the experiment is that the font is 100% made using digital media. I used my MacBook and my iPad creating this font. I find it quite amusing, that something 100% digital looks like something organic.

I've added 5 different versions of each letter, which is really helpful when working with grunge fonts. It looks more natural, when the same letter rarely repeats itself.

Micheliya has a font script that is provided with great tenderness to be presented with a variety of stunning character models.

Micheliya combines a new design that features free, warm, modern features. taste.

The diversity of weights provides a variety of choices that will help you find the best design colors for your project. Lighter weights are perfect for heavier body text ideal for high impact headers. Alternative styles available provide different characters that give your logo or business card a unique display.

Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other hand, work great together in display applications. The letterforms in Clair have a vertical axis, and their design is reminiscent of contemporary newspaper fonts, as well as late-nineteenth century typefaces along the Century model. Claire includes 12 styles ranging in weight from Thin to Black. Each of those six weights has a companion italic font, too. Claire’s letterforms feature thick slab-like serifs that are bracketed onto their stems. Since the proportions of its uppercase letters are nineteenth-century, they optically feel like they are all almost the same width. The same is true for the numerals, which share the same height as the capitals. The numerals include nice, decorative features, such as flag-like strokes on the bottom of the ‘2’ and the top of the ‘7’. The ascenders of Claire’s lowercase letters rise slightly above the tops of the uppercase letters and numerals. Claire}s x-height is also rather tall. The lowercase ‘g’ in the upright fonts, which is double-storey, has a lovely ear that ascends above the x-height. In the italic fonts, both the ‘a’ and the ‘g’ are single-storey. The italic letterforms also feature especially-prominent ball terminals.

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. 

It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography.

The font family includes 15 styles.

The font family has a variable font with two axes of weight and width.

The font contains a set of alternative characters that will allow you to create different moods.

The font contains Western European Latin and standard Cyrillic.

The font has more than 3,600 kerning pairs configured.

The font contains beautiful ampersand.